The Heavens May Fall takes up the story of a fiery up-and-coming lawyer at the Bana-Bantle Children’s Agency in Mochudi, Botswana. Naledi Chaba’s caseload is bulging with stories of rape and abuse. So when she takes on the case of a 15-year-old girl who has been raped by the lodger, she’s on a familiar battleground, involving her own peers. And it’s not only J.J., her silk-shirt-wearing,...

When Doris Kartinyeri was a month old, her mother died. The family gathered to mourn their loss and welcome the new baby home. But Doris never arrived to live with her family – she was stolen from the hospital and placed in Colebrook Home, where she stayed for the next fourteen years. The legacy of being a member of the Stolen Generations continued for Doris as she was placed in white homes...

The space of the Queen is above all a liminal space between different ways of knowing.

Reading Body/Landscape Journals is like falling through a fault-line, as we respond to poesis, both as poetry and as thought creation. From Pine Gap Women's Peace Camp and interactions with women across Australia, Margaret Somerville conjures up the landscape inhabited by both Indigenous and white women in...

Modewarre is the indigenous Wathaurong word for musk duck. Through this icon of land and water, Patricia Sykes explores various histories – her own, her forebears, the wider histories of identity and place – in poems that are as concentrated as pearls. Three roads meeting in the one bird: modewarre (the indigenous), biziura lobata (the colonial), musk duck (the common).